Process video stills: Tera in The Effigy
Recently the universe sent a little piece of stardust my way.. in the words and spirit of a beautiful stranger who gestured in my direction. I came to realize some very valid points about my own creative process that sorta flipped around my reality a bit. He doesn’t know he did it but, that’s okay. Mostly I think he was a vessel for some greater universal lesson that I needed to learn at this stage in my life.
He helped me realize that I had forgotten freedom in art, particularly in reference to my own practice. That I was painstakingly doing all this detailed illustrative shit, not for me but for everyone else. Cos that’s what people respond to (or have thus far). But to me, it signifies restriction, strength of will and of control. Only I hadn’t realized it until now. “just keep drawing Korrin, just keep drawing”
What once began as a means of mindfulness meditation (7 years ago when I was in the midst of anorexia and cptsd at 22), somewhere along the way became a tedious form of proving myself within some aesthetic confine or of being accepted. And all of it.. I came to realize, is just symbolic of so much more in my life and in my reality.
I had tried (like many other desperate fucks heh) to feed my fire with potential love prospects (not that there’s anything wrong with that.. but it was, in part, not “true” but a mere displacement of that fire). Because at the end of the day, love is at the center of everything.. everyone wants to love and everyone wants to be loved.. no one wants to be alone… no matter how hard they try to convince you otherwise (they’re lying to themselves).
I had also done injustices to my creative drive by trying to express it through these BS digital networking platforms that permeate our realities now. Those modes of individual expression that are largely vacuous and soulless spaces because they lack the integrity and substance of a lived experience. But what else do we when we feel can’t connect with one another? Dangerous terrain.
Really, for the most part I hadn’t managed to be wholly “true” to my own creative freedom. This fire, feels as though it’s been drowned out by a kind of inherited Anglo apathy that runs deep in our society, where in many ways we’re closed off and isolated from one another, reserved and privatized and frustrated by the inability to really love (not necessarily romantically.. but universally).
I evolved my creativity in isolation. I am 100% isolated creatively. In other realms of life too, no doubt, thus is often the pattern. Partly due to my personal circumstances and my own insecurities but also because of the wider social climate of this place (city, state, country). Largely emotionally stifled and dominated by the logic mind while disregarding the other (equally as important) realms of the body, heart and spirit.
So, of course, art that addresses those things or art that is by virtue; deeply psychological or emotive in any way, is going to feel suffocated or unwanted here. Unless of course it is lucky enough to have the support of some kind of community backbone.
Art here is not a cultural experience (there are exceptions of course but – at least I have found – mostly only applicable to people who fit a certain prerequisite) because we don’t have a cultural identity. Art here – like the rest of our society – is largely inoffensive, it’s marketing, it’s industry, advertising, materialism, aesthetic sensibility, the superficial, the scene. “Successful” art here fits comfortably into the operations of the larger cogs of the (for lack of a better term) machine.
Don’t get me wrong, I have a lot of friends that make a lot of great art, bless their cotton socks… but I still don’t feel a part of it nor do I feel like I could be a part of it- like it’s something else. Like whatever it is that I do just doesn’t belong here. It could be because of this emotional stifled society not having a regard for catharsis.. I dunno.. they’re all words really. And I’m here, merely speculating.
Anyway, it is true that it is, not only here that these frustrations and imbalances take place, of that I’m well aware… but there is this giant amazing beautiful world so full of potential and possibility out there.. and here I had trapped myself in this little sphere that doesn’t enrich me, this sphere that restrains me. At no one else fault but my own. “You could try more” I hear you roar haha.
The social climate here weighs heavy on my heart.. and my heart here is expanding so exponentially that sometimes I think I’m just going to explode or cease to be able to inhale the essences of life.. cos I’m just too fucking alive right now.
These are some videos from my multimedia experiments last year. It is this shit, in my view, that equates to a true form of expression of my creative fire. Where I can get wholly involved, immersed, knee deep dirty in it, be messy with that psychological “thing” that permeates all my work that I can’t define. Where costume becomes sculpture, space becomes set or installation or painting. Where the boundary between subject, artist and performer is blurred and the possibilities for experimentation are endless.
I don’t know what I will do, where I will go from here; knowing all this.. but as long as I stay true to myself, know that fire and what it needs.. all will be perfect because; all is as it should be.
She leaves the 5th floor of her office building for her lunch break at thirteen hundred and six hours. By thirteen hundred and eight she’s out the cramped elevator scene and moving through a large glass carousel – from a tense cool to an erotic heat.
Now we have her.. careering atop the seering asphalt streets, alongside glossy office facades. She wants banh mi from the trendy fusion cafe, 2 blocks south easterly from her current positon. To do so, while retaining ample chill time with minimal interference from transit time, she must first pass through the vacant lot, that is lodged between 2 high rise buildings. One, an apartment complex, the other, a cluster of more dull office spaces behind buffed and tinted glass panes.
She extends her black leather heel (that houses her right foot) away from the speckled grey slabs of concrete, that form the urban footpath, on to the (slightly lighter) grey sand grains that dwell in the vacant space of the lot. Foot poised – the motion of it cutting through mid air, seems to last an eternity.
And as she steps out… immediately, she is transported. Transported to arid desert lands. Lands littered with little white pebbles and larger, more endearing rocks. Her muscles are at rest and her skin soothed and softening. All the while heating, steadily.
The Cassia nemophilas; a sub species of evergreen shrub from the fabaceae family – that thrive in dry conditions – quiver relentlessly in her presence. There she slides through the scene like jelly.
The air is hot, thick and dense, it wobbles her vision. Closing in on the centre of her iris from her external periphery. Gathering around her body, like gelationous putty and she pushes through it gently, with the motions of a deep sea dancer. Translucent tendrils extending from nearby plant life (melaleuca ellipticas) caress her as she passes, and frill out then split at their tips. Perfect terrain for a hydrozoa variant, for a creature, for a mucous membrane, reeling.
An omnipresent humm breathes through everything in this otherwise silent empty encasing, in the void here, in the vacant lot here.
Her cornea floods over with white light. Pins and needles swoop in from the right. And then suddenly, abruptly, but for touch, there are no senses left to guide her. She reaches out for a solid object to grasp on to, for assurance, for security, for motion relief. Even though her heart rate remains steady and her nerves at ease.
She finds a metallic beam. Spins around it, radially accelerated and rips it square clean from its foundations. She pulls it through the thick putty air toward her upper body – with the pose of a proud weight lifting carney of the 19th century persuasion.
Clasping either end with a firm grip, she pushes them downward into themselves, which produces a bend at the central most part of the beam. The pressure in the bend colliding with external magnetic pressure is enough for it to snap, right there in the centre. Tiny bubbles of air radiate outward from the break itself, swimming on a centrifugal wave pattern of reactional force, that extends through to the outer reaches of the lot.
This creates a rhythmic ebb and flow in the air, she feels it through to her hair follicles that brace dark auburn strands as they sway, like exotic waving sea grasses in amongst it all.
These motions are enough to lift her up off of the ground and propel her foward in a swooping motion. She is her own spirit level now.
With the beam in two separate parts, resting in either hand, she extends her arms outward before her. At an aproximate distance of 320mm apart, she feels the metal of the beams heat up and char her outermost layer of skin, it does not hurt too badly though, so she persists. Still swiftly moving foward.
From within the hollows of the 2 beams, emerge 2 large luminescent annelids (segmented worms). Equipped with the capacity for high and low voltage discharges in their electric organs. These organs are made of electrocytes, lined up so that a current of ions can flow evenly throughout their trunks. They slither erratic.
As they furl out of the ends of the beams – out of their hollow houses – they curl and charge with seemingly sinister intent.
She can feel this shift in the air in and around her and, as an effect, her heart skips a beat.
With a quick lash and whip they crack and coil around her wrists in unison. Synchronistically slithering up her forearms to the bends of her elbows.
She holds her breath. There they stop. She holds her breath. Time falls away like a snake skin suit, as minute particle fibres float over the microscpic grasslands that cover her body. The annelid’s hundreds of chitinous bristles extend outwardly from their bellies, rapidly transitioning into solid wirey forms – cold and metallic.
They puncture right through her dermis like spines, straight to her sensory nerve endings. She emits a short sharp sound akin to a lamb’s bleat as, everything on the rupture path is singed, before a discharge of 5 volts is injected into each nerve. Complete musclular seizure. She’s elevated – suspended there – stark like a Martyr caught unawares.
With the instantaneous sharp sting of a burning bite, she is exposed in violent white. Left confined to the single image of a mote, in clear sight, through new found eyes. A mote steadily careering across the frame. She sees it pitter patter on the rhythm of the airwaves lines.
She’s a celestial spherical entity now – sky high – connected to her physical form only by an intricate network of electric strings alone. Interwoven and patterned geometric. The strings oscillate gently in the silence, emitting a humm out through the void.
There mesmerized, she sees all form disintegrate and scatter through space as powdered clouds roaming. Lightness remains and motion is sustained. All time stands still.
Then she drops. Plummetting 2 metres to the hard rock floor. She braces herself and crashes down in a defense position, just as an itty bitty slater would. Eyes slammed shut, fingers clasped tight around locked ankles, before the thud..
..But the thud never comes. And yet she feels the surface beneath her – a course gravel atop a magnetic earth.
Sinking back into her body again she feels breezes moving over her back and swirling around the spaces ‘tween her limbs contracted. Although it’s a soft gentle touch and the hushes of its whispers are soothing, she can’t quite bring herself to open her eyes again.
So she sits there for a moment longer.. thinking of a distant scene, familiar but unfamiliar simultaneously. Sitting there, she absorbs all the sensations that come along with it.
A nightscape of a large bridge. Spread across a harbour wide. Behind city lights. Scents of damp grass and whiskey infused tobacco float in and out of her range. The set is dressed in moonlight and starry eyes, that perforate a black liquid sky. Filling her with jazz and romance and a cool kind of fire. The tragedy of this excessive existential beauty is enough to snap her out of it.
So she stretches her limbs outwardly in this (for narratives sake) present reality, one by one. Each and every joint cracks on the inside. And with each and every muscle extension she feels an aching pull, as though they’d never been used before. And lastly, she opens her eyes.
And here she is, there, here. Just outside of the vacant lot, at the other side, on a driveway. Staring at a ‘no parking’ sign next to a sunburnt fire hydrant.
The sky is blue, devoid of any clouds with a sun sitting above it all, observing, overseeing , glowing like a god.
The footpath bustles with weekday workers, chaotically wandering, but the remnants of silence from a still pace still linger in and around her.
In the distance she hears a bird call – it sounds like the song of the currawong – wavering.
Gazing down at her forearms, she notices her skin – flawless and glowing in the light of day. But she feels it still. That sensation it maintains, a tingle knowingly fizzinging with a deep sensitivity. She gets up on to her feet and brushes off the grey sand grains from the smooth soft fabric that covers her knees, crease free. At ease.
An old one eyed man comes in from the left. He hobbles from side to side in her direction on a swollen diabetic foot, with the wounds of a staph infection weeping. In his eye he carries the wisdom of one hundred and twelve kings but he needn’t say a thing, so he doesn’t. He just walks by casually, blinking over a hand painted eye.